WFUV Public Media is doing its part to resolve the longtime issue of gender disparity in the music industry. With the EQFM initiative, we're striving toward a goal of 50 percent representation of women and gender minorities in our music programming, events, and online features. And it’s not just about us, but a rallying cry: we’re planting a flag and asking others to join us.
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, it's Bonnie Raitt's 1989 album, Nick of Time.
Bonnie Raitt (Capitol Records PR photo 1989 by Aaron Rapoport)
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, a closer look at Dusty Springfield's 1969 release, Dusty in Memphis.
Photo from 'Complete A And B Sides 1963-1970'
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, we look back to Liz Phair's 1993 solo debut, Exile in Guyville.
PR photo by Robert Manella, Matador Records
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, it's Lauryn Hill's 1998 solo debut, The Miseducation of Lauryn Hill.
Lauryn Hill (photo by Jonathan Mannion, Archival Digital Prints available here)
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, we're looking back at Stevie Nicks' 1981 solo debut, Bella Donna.
Stevie Nicks (by Herbert W. Worthington III via stevienicksofficial.com)
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, we enjoy a highlight of the mid-'90s: Sheryl Crow’s Tuesday Night Music Club.
Publicity photo A&M Records
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, we're going crazy on Heart's debut album, Dreamboat Annie.
Nancy and Ann Wilson of Heart (photo courtesy of the artist)
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, revisiting Aretha Franklin's 1968 masterpiece, Lady Soul.
Aretha Franklin (Photo Atlantic Records/Public domain)
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, we're delving into Indigo Girls' 1989 self-titled second album and major label debut.
Amy Ray and Emily Saliers of Indigo Girls (photo by Terry Allen)
Album ReCue, a part of FUV's EQFM initiative, takes an on-air and online look back at influential releases by women that altered our perspective not only of the artist, but her invaluable impact on music history. This week, it's Cyndi Lauper's 1983 release She's So Unusual.
Photo of Cyndi Lauper from front sleeve for European release of "Time After Time" 12" single, Epic Records
